Went to West Side Story at the New Wimbledon Theatre last night.  It was the final performance of this 50th anniversary production.  It was London.  It was raining.  There were too many people to fit in the foyer, so arriving at quarter past seven, we had to stand outside in the rain while other patrons slowly filed through into their seats.

There’s so many shows to see in London that we’ve adopted a policy of buying the cheapest tickets available.  While this technically does mean that we can afford to see more, it often means that we’re unable to see less of the individual shows.  Last night, we were once again up the back, near the follow-spots, and the angle of the ceiling meant that we missed some of the balcony scenes.

But while we needed binoculars (on hire for 50p) to see the actor’s expressions, the dancing was enthusiastic and the voices were superb and there was song after song I knew.  The second act, in particular, packed an emotional punch and I found myself crying alongside Maria at Anton’s death.

50 years on, the language of West Side Story, with all it’s ‘buddy-boys’ and ‘daddios’, is somewhat dated.  But in a city where every week there’s a story in the papers of a teenage stabbing, the plot is sadly still all too relevant.

Tash